Feb 21 Tue 10am-1pm Frick Major Turner Exhibition – Turner’s Modern and Ancient Ports: Passages Through Time Feb 23 to May 14, 2017)

MEDIA ALERT: FRICK COLLECTION TO PRESENT
MAJOR TURNER EXHIBITION IN 2017
TURNER’S MODERN AND ANCIENT PORTS:
PASSAGES THROUGH TIME

J.M.W. Turner, Shields, on the River Tyne, for The Rivers of England, 1823, watercolor on paper, © Tate, London 2016

February 23 through May 14, 2017

MAJOR 2017 TURNER EXHIBITION UNITES TRIO OF
MONUMENTAL PORT SCENES FOR THE FIRST TIME PUBLICLY

TURNER’S MODERN AND ANCIENT PORTS:
PASSAGES THROUGH TIME
BRINGS TOGETHER PAINTINGS, WATERCOLORS, SKETCHBOOKS, AND PRINTS

February 23 through May 14, 2017

Exploring a turning point in the career of Britain’s greatest land- and seascape painter of the nineteenth century, a major exhibition at The Frick Collection will illuminate Joseph Mallord William Turner’s (1775–1851) distinctly modern approach to the theme of the port. Opening in winter 2017, Turner’s Modern and Ancient Ports: Passages Through Time centers around the Frick’s grand-scale Harbor of Dieppe and Cologne, both painted by the artist in the mid-1820s, and unites them for the first time publicly with a closely related yet unfinished work from Tate, London, that depicts the harbor of Brest, in Brittany. This trio of port scenes is accompanied by more than thirty of Turner’s oil paintings, watercolors, sketchbooks, and prints, among them other contemporary views of France, Germany, and England, as well as imagined scenes set in ancient Carthage and Rome. A longstanding subject in art, the port is a space of arrival and departure that links the city interior and the open water beyond, evoking
a sense of journey and the passage of time. Whether portraying the ancient world or encapsulating contemporary life in a specific region, Turner returned to this time-honored theme to explore the relationship of past and present and, conscious of his own place in history, showcase his artistic innovations, chief among them his dazzling treatment of light and color.

J.M.W. Turner, The Harbor of Brest: The Quayside and Château, ca. 1826–28, Oil on canvas, 68 x 88 inches, © Tate, London 2016

Comments Susan Galassi, “As with so many of our exhibitions, this show is built around major works in our collection and provides the occasion to bring fresh perspectives through new scholarship and engaging programming. The Frick’s harbors of Dieppe and Cologne, purchased more than a hundred years ago by Henry Clay Frick, are restricted from travel and have not been exhibited elsewhere for the past century. We are thrilled to provide our audiences insight into Turner’s masterful technique and process by reuniting the Frick’s ports, which themselves have never before been the focus of an exhibition, with a third harbor scene from the Tate on a similar scale, along with other port scenes—both imagined and set in the present—in oil and watercolor that reveal how the artist developed this subject over time.”

J.M.W. Turner, Cologne, the Arrival of a Packet-Boat: Evening, exhibited 1826, oil on canvas, The Frick Collection; photo Michael Bodycomb

Turner’s Modern and Ancient Ports: Passages through Time was organized by Susan Grace Galassi, Senior Curator, The Frick Collection; Ian Warrell, independent curator and Turner specialist; and Joanna Sheers Seidenstein, Anne L. Poulet Curatorial Fellow, The Frick Collection. It will be accompanied by a range of public programs as well as a catalogue published with Yale University Press.

Joseph Mallord William Turner, Harbor of Dieppe: Changement de Domicile, exhibited 1825, oil on canvas, The Frick Collection; photo Michael Bodycomb

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